From Afrofuturism to Africanfuturism: How Science Fiction gives Agency over Black Destiny’s

This dissertation explores the emergence and significance of Black Science Fiction (SF) as a genre, which has provided a platform for writers and creatives to imagine alternative futures. However, this imaginative space has predominantly been shaped by white perspectives, often neglecting or misrepresenting those outside of Western identities.

These narratives, originating from voiceless and persecuted communities, challenge stereotypes about Black people. While inadequate portrayals by white writers may consign Black characters to a bleak past, Black writers envision a future that defies Western misconceptions. They demonstrate that Africans and the diaspora are equally creative, technologically engaged, and industrious. This reimagining of the future has given rise to two distinct genres: Afrofuturism and Africanfuturism. Afrofuturism reflects the cultural aesthetics and desires of the Western Black diaspora within SF, while Africanfuturism centers on the unique concerns of Africa.

Ultimately, the research underscores the importance of Black writers having agency over their narratives and future visions, shedding light on the positive impact this has on their communities.